Tag Archives: female

Stepping Outside She Is Free

I’ve been wanting to do a “big character” for a long time. CGI scales easily so I thought it would be simple. Well, the scaling was simple, then I needed a city so you could tell the character was twenty times normal size.

urban renewal

I used Stonemason’s Urban Sprawl 2 The Big City which is absolutely fabulous. Once I found a good spot for the “incident” I needed to add some buildings and extend the street another block or so in the background. I also moved some buildings around and shortened one in the back to get the skyline I wanted behind the girl.

I’m tremendously impressed with Stonemason’s work on this city model. It’s incredibly detailed with 20 or so different buildings – lots of props like streetlights, signs, mailboxes, and trash bins – and yet the model is very light. It doesn’t slow things down that much even when you have all four city quadrants loaded as I do here.

bad skin

The scaling of the girl created a problem I didn’t anticipate. When I started lighting I did a screen render and the skin was all messed up.

I tried different skins and some were better but all seemed to have problems. I eventually figured out that the Subsurface Shader (SSS) was the issue. Apparently it didn’t scale well. While I was trying to fix the problem I discovered that it got better if I added in HD details. The character Aiko 6 doesn’t have an HD add on so I tried adding the Victoria 6 HD details.

The screen render turned out better but there was still some problems as you can see here on the arms. (click to embiggen to see the issue)

It turns out though, that the problem doesn’t present itself if you render it out huge (at 10K) which is what I always do at the end anyway, so I stopped trying to fix it. The final render came out fine.

crazy pants

This was a most annoying problem. Every time I closed the project and re-opened, the guy’s pants over on the left would go nuts!

Now maybe this was because I had Genesis clothing on a Genesis 2 character, but I’ve done that before and I’ve never seen this. It’s the Morphing Business Suit on Gianni 6. Never found out why this was happening. The only solution was to delete the pants and re-load them onto the character. That worked at leased until I closed the project and re-opened.

big finish

For the final color correction in lightroom I decided to pump up the color on the main character while keeping the city bland and gray. What do you think?

Created in DAZ Studio 4.8
Rendered with 3Delight
Color Correction in Lightroom

Figures used:
Aiko 6
Michael 5
Gianni 6
Victoria 7
Urban Sprawl 2 The Big City

Trembling on the Brink of Infinity

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Trapped in a space time loop with no escape.Most of my work is dark, film-noir like with tiny spotlights in a black void. It was time for something different. I wanted something bright with lots of negative space, hard graphic lines, and very little color. Something that looked like Space:1999, or THX-1138, or any other SciFi that has a number in it. (2001: A Space Odyssey?)

A line in the egg

Creating this piece was pretty straightforward. The only trouble I had technically was a strange shadow line on the egg ship. The front of the ship was significantly darker even though that’s where the light was coming from.

I finally realized the line was a reflection of the edge of the huge white background. The environment was simply two planes.

I had to put a huge side and top on it to solve the reflection problem.

It probably would have been easier to create a white dome over the whole scene but I was worried the horizon would be curved and ruin the grid line effect.

My constant conundrum

When I’m building a scene I usually drop cameras here and there when I find a new perspective that looks good. It’s the filmmaker in me I guess, shooting from multiple angles. When I’m finished setting the scene and lighting it’s always hard for me to decide which angle is best. My original perspective for this piece was a full body wide shot that featured the expanse of the void.

I finally settled on the medium shot because it was easier to see she was crying and I think it conveys more emotion from the character. Of course I also came up with this crazy extreme close-up which I totally love.

It was a difficult for me to pick only one. Which is your favorite? Wide, medium, or close?

Prints are available on my Deviant Art profile. CLICK HERE

Created in DAZ Studio 4.8
Rendered with 3Delight
Color Correction in Lightroom

Models used (from DAZ3D.com):
Teen Josie 6
Letizia for Lilith 6
Awesome Fantasy Eyes
Stalker Girl Hair
Sci-Fi Body Suit SF-001
Actual Tears
Nomad Module 2

Victoria 6 and 7 comparison

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DAZ3D released a new model yesterday, Victoria 7. It signals the beginning of a new generation of figures, Genesis 3. Here’s a quick comparison of the new model to the old Victoria 6.

For this comparison I set V6 (on the left) with pose #4 from ‘Perfect 10’ Standing Poses for Genesis 2 Female and converted the mirror pose for V7 via the new Genesis 2 to Genesis 3 Pose Converter. It wasn’t 100 percent. I had to pull the right hand out of V7’s side and her left foot was in the floor a bit but other than that it was a close conversion. The V6 pose is unmodified except for the head turn.

Hongyu’s Bikini for V6 was auto fit to V7 and that too is a little off as you can see. Pyrit Hair for Genesis 2 Female is auto fit to V7 as well and that seems fine. (Note, the weirdness on V7’s left wrist isn’t a problem with the model, it’s the shadow of the bikini tie.)

V7’s expression is using the new Genesis 3 Female Expressions (100% happy and 10% excitement.) It looks good and there are lots of controls to play with. V7’s eyes were horribly cross-eyed however, maybe from the pose conversion? I don’t know. I had to work with pointing V7’s eyes quite a bit. I don’t think I got it resolved. Right now her eyes are pointed at an object in the sky and they look better but still a bit cross-eyed.

Figures posed in DAZ Studio 4.8. I used the V6 Belle all (default skin) materials for V6 and the default all 3Delight materials for V7. Rendered in 3Delight with no postwork.

The Creation of ATOM (hands)

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After Man destroys the planet Earth with nuclear weapons, God creates machine life to take his place.

In light of the close up experiment I did last week, this one was a no-brainier. Once again I didn’t just crop the original image. I went back into the 3D space, set another camera in the exact position, and composed a new shot with a longer focal length. That allowed me to create a new 10K render and also control the focus on the mountains in the background.

As I was color correcting this piece I noticed that you could see a reflection of God’s face in the machine-man’s middle finger. Not sure what that means but it’s obviously important.

Created in DAZ Studio 4.8 beta
Rendered with 3Delight
Color Correction in Lightroom

Figures used:
bot Genesis
Lilith 6
Dry Mud Desert

I Was Fluid, Like Water (close up)

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I’m frustrated with my work. In most of my previous CGI pieces I started out with an idea that should be dynamic but ended up with something less exciting. Most of my ideas have become medium to long shots of characters just standing there. If I was directing a movie, this is when I would punch in for a close up to capture more of the emotion.

As an experiment, I’ve taken a previous piece I Was Fluid, Like Water and created a close up of the face. It looks like a cropping of the previous image but that’s not how I created it. I went back into the 3D space, set another camera in the exact position, and composed a new shot with a longer focal length. That allowed me to create a new 10K render and not lose any of the small details like the stitching on the jacket.

The hair is still a problem, maybe even more so in the close-up. I fixed it up a little in Photoshop but it’s still kinky and unrealistic. The overall style is on the “doll-like anime” side with fake eyebrows etc. so maybe the kinky hair is OK. What do you think? Which do you like better, the original long shot or the close up?

A Collection of Rusty Robots

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Can six rusty robots fight crime without driving each other crazy?

This one was complicated. Six characters and twenty-five lights.

I was trying to emulate a team freeze frame at the end of an anime intro. I wanted to capture the uniqueness of each character. I even wrote out a short description of each robot to help me differentiate them. Looking at this piece now though, I think it ended up a little too “characters just standing there.” It could do with a few more action poses, but it’s done now so here it is.

I’m going to post my usual more in depth behind-the-scenes info but that will have to wait a few days since this piece is so complicated. It’ll probably end up as multiple posts. For now I’ll leave you with the character descriptions I wrote. Let me know what you think!

Meet the team!

(from left to right)

Gomer is a wise guy. He always has an opinion and he doesn’t take lip from anybody. He thinks he’s the leader but nobody else listens to him. When attacking a bad guy’s hideout the others always make him crawl in thru the air ducts which pisses him off. He thinks Brigitte is “hot stuff.”

Barney is a “can do” fella. He can fix just about anything. Knows how to make explosives too. He gets the job done while the rest are goofing around. Currently he’s in a romantic relationship with Alice.

Alice is a fighter. She can swiftly and silently take out a whole gang of bad guys. She’s a bit fussy though and, unlike the others, she likes to stay clean. She avoids the general dirt and grime of crime fighting. She’s in love with Barney even though he always seems to be a bit dirty. It’s OK though because she’s confident she can change him.

Jim is the leader of the team. He’s a powerful warrior but is totally lost trying to get the rest of the team to work together. He thinks Alice is his girlfriend even though she wants nothing to do with him. Alice thinks Jim is too full of himself.

Brigitte is a master of disguise and can wear a rubber mask to look human. She doesn’t really enjoy fighting crime but she hangs around because she likes Jim. Gomer is in love with Bridget but she can’t stand him.

Gronk (AKA “Five”) has a powerful Plasma Death Ray to blast holes in buildings and blow up cars. He wants to do more but doesn’t really have the ability. He trys.

Buy a print here –> http://www.deviantart.com/print/38109712/

The Creation of ATOM

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Prints of this image are available on my Deviant Art page:
http://ericsusch.deviantart.com/art/The-Creation-of-ATOM-516835191

After Man destroys the planet Earth with nuclear weapons, God creates machine life to take his place.

This CGI piece took me awhile. It’s based on the The Creation of Adam by Michelangelo, from the ceiling of the Sistine Chapel at the Vatican. CAT and I were recently in Rome and were able to spend five minutes in the Sistine Chapel admiring all the artwork. You couldn’t take any pictures of course, since the Japanese own the copyright. (The Vatican is a strange place.) So when we got back I decided to make my own creation imagery to hang on the wall.

I used this project to learn how to pose characters manually. The poses were iconic and predetermined so I didn’t have to worry what was going to look good, just how to get the characters into position. In the end It took some doing to get everything adjusted in three dimensions and looking correct for the camera.

Creación_de_Adám

I don’t think a man can actually lean back in the real world the way Adam does in the original, at least an android can’t. I have several of the robot joints pushed way beyond their limit and still he isn’t really in the same position. It’s close enough to get the idea though. The posing process was long and tedious but ultimately rewarding. I’m especially happy with the hands in the center.I had problems again with kinky hair. The short style I chose was an older mesh and didn’t have the smoothing control I used in the last piece. I then discovered that the smoothing controls can be added to any object by selecting it and accessing the DAZ Studio menu in the upper right of the scene tab. Select Edit / Apply Smoothing Modifier and then the smoothing controls will appear in the object’s Parameters tab. This fixed the kinks but I still had hair shadow trouble. Some of the underlying shadows were ending abruptly probably because some of the hair was poking into the skull. Adjusting the hair didn’t resolve the problem.

To fix the funky shadows I rendered the hair again without shadows. I then layered this underneath the head and used a matte in Photoshop to erase only the parts of the hair where I wanted to remove the shadows. This left the shadows at the edges and bottom of the hair but eliminated the distracting ones deep within.

The biggest problem I had was the horrible, horrible dress. I purchased and tried several Greek/Roman toga-esque dresses which were similar to what God is wearing in the original piece. I really liked a dress that had one long sleeve but unfortunately it covered the wrong arm and I couldn’t figure out how to flip it. This next best alternative was nice looking but turned out to be a disaster. It had a million shaping controls but I couldn’t get it to fit correctly without the mesh bunching, tearing, and dripping all along the chest. It was the only dress I had that looked right so I grit my teeth and fixed it with the spot healing brush in Photoshop. That kind of fix isn’t going to work when I get into animation.

I struggled with the background again too. The original idea was a destroyed city like after an earthquake or a nuclear attack. It was way too busy and difficult to separate the characters, especially the chrome of the android, from the background. There was just too much detail in the rubble.

CAT suggested I try a desert background. I wasn’t sure. I didn’t want it to look like an unrelated background photo. After I tried it I changed my mind because the background became a metaphor to me. It suggests nuclear testing, or maybe a Mad Max type social collapse. What do you think?

Created in DAZ Studio
Postwork (fixing hair and dress) in Photoshop
Color Correction in Lightroom

Figures used:
bot Genesis
Lilith 6
City Ruins: Vehicles
Dry Mud Desert

Prints of this image are available on my Deviant Art page:
http://ericsusch.deviantart.com/art/The-Creation-of-ATOM-516835191

The Space Between Us

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Prints of this image are available on my Deviant Art page.

I’ve started working on a few CGI images with multiple characters but this is the first one I’ve been able to finish. Right now I have five or six projects that are stuck at various stages. One thing I’ve realized is I’m having tremendous difficulty with backgrounds. I’m consciously starting my scenes with character ideas first because I see that as the most important element in the image. I then end up trying eight or nine “sets” for the background and nothing seems to fit. It’s easy to move entire sets in and out in virtual space and try different things but I guess my brain just doesn’t work that way since it’s not how you make movies in the real world. All my creative experience starts with the location first, then the actors come in to block the scene, and finally the camera positions are locked down. I think I’m going to have to change my workflow and do it the way I know.

I originally envisioned this scene as an exterior, but that didn’t work so I tried several interiors including this space bedroom complete with professional video tape rack.

I eventually settled on the interior of a shuttle type spaceship.

You may have noticed I originally had a different character for the boy.

He was anime style but a bit too realistic for skinny toon/anime girl (Keiko 6.) Modifying a straight up toon style boy character (Animated Shapes for G2M) with a different skin texture and bigger eyes created a figure more in line with the anime style of the girl.

I had that kinky hair problem that I’ve mentioned before. You can see it here above the right eye.

I asked about it on a DAZ facebook group and there is a fix! There’s a hidden control in the hair parameters called “smoothing iterations.” Increase it a bit and the kinkiness goes away. I found that you should only increase the smoothing just enough to solve the problem because higher numbers thin out the hair considerably making your character look like a post-apocalyptic radiation victim! (…which, come to think of it, may be a hair style I need some day.)

While working on this piece I started using the new Aux viewport in DAZ Studio 4.7. You can set it to continuously render so that, as you are working it will keep updating. It sort of works. My processors and fans were churning hard as it was trying to keep up with the changes. It’s usable for lighting, only re-rendering the area of the picture effected when you move a light. For moving models around the space it’s not as good. The screen update gets slow and you end up waiting a lot.

All in all I’m very happy with this piece. It’s my first with two characters interacting in a two shot which is more like a movie and less like a character just standing there.

Prints of this image are available on my Deviant Art page:
http://ericsusch.deviantart.com/art/The-Space-Between-Us-513716053

Love Is Not Enough

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Advanced lighting class! A black suit against a dark background and forties film noir style glamor lighting on the face. I’m now comfortable setting lights, well the spotlight at least, which is the most like a real Fresnel movie light. Still not too sure about some of the other style lights available in the program. I tried using a point light as a fill light and it was a disaster, very unrealistic looking. I’m going to stick to spotlights for interior lighting. Wish they had barn doors to make a quick slash on the wall. I made a “flag” with a flattened solid primitive cube though and that worked.

The background is actually a scifi medical bay set with diagnostic beds and everything. I spent hours trying different background lights but eventually settled on leaving it dark with only the computer monitors lit. It just seems more mysterious that way. It’s the same on a movie set. If the lighting isn’t working you’re probably using too many lights. Turn some off and see what it looks like. Chances are it will be better.

eric susch

scifi · film · animation

Tag Archives: female

Stepping Outside She Is Free

urban renewal

bad skin

crazy pants

big finish

Trembling on the Brink of Infinity

A line in the egg

My constant conundrum

Victoria 6 and 7 comparison

The Creation of ATOM (hands)

I Was Fluid, Like Water (close up)

A Collection of Rusty Robots

Meet the team!

The Creation of ATOM

The Space Between Us

Love Is Not Enough