Tag Archives: love

Is Electronic Love to Blame? (16×9)

I’ve worked on this CGI scene longer than any other.  I’ve spent years obsessing about every detail.  I’m sure I’ve sucked the life out of it many times.  I hope there’s still something good left in it but I can’t tell anymore.  The only thing I can do is to let it go and put it out there hoping there’s still some life in it.

This is the second iteration of this piece.  The first one, which you can read all about here, was square, with a grey background, and a different dress.  I also added a pierced heart necklace to this new wide version.  Those are the big differences.  There are tons of other small changes.

So, why a new version?  Because I wasn’t satisfied with the old one.  (Actually I grew to hate it.)  For some reason this piece is an ongoing obsession.  Even now I’m looking at the image above and wondering if the background is too dark, contemplating changing it again before posting this blog post.  But I’m not going to.  I have to let this one go and be done with it.  Next step is to print it on metal like I’ve done with several of my other pieces and see how it comes out.  If it needs tweaking after that, then I will, but for now, it’s done!

Color correction this time is in Capture One.  I abandoned Lightroom a few years ago.  I’m not interested in paying a subscription for my professional software.  Buying a perpetual license for Capture One is actually more money but it’s worth it.  If at some point I decide I can’t afford to upgrade anymore I won’t lose access to all my images and all the work I’ve done on them.  Don’t ever let a company and their tools act as gatekeeper to your work.  — I’m also liking the color correction controls a bit better in Capture One, thought Lightroom wasn’t bad.

Created in DAZ Studio 4.22
Rendered with Iray
Color Correction in Capture One

Robotic Romance – A Colossal Story of Forbidden Affection

This is another image where I tried to get something in the style of a 1930s SciFi pulp magazine cover.  It looks like the 30s especially with the orange background, but I think the robot looks more 70s.  I like it anyway…

#Art I made with #Midjourney #AI

Is Electronic Love to Blame?

Is Electronic Love to Blame?This piece was a marathon to create.  A perpetual artistic labor.  Unending.  Frustrating.  We had remodeled our kitchen and saved a space on the wall for an art piece, complete with it’s own special spotlight.  The kitchen had taken over a year to complete and this art piece had to live up to that.  It needed to be perfect.  Constantly second guessing my creative choices, it took me a year to finish this, sometimes setting it aside, then diving back in to see if I could perfect it.  Today I’m finally calling it done and I’m presenting it here hoping I haven’t completely strangled the emotional life out of it.

Some of the initial criteria:  It was designed as a large piece, three feet square, so it needed to be extremely detailed.  It had to match the modern aesthetic of our new kitchen. Colors needed to be white and gray with a blue accent.  It needed to be bright, not the dark moody work I usually gravitate towards.  I wanted two characters – an android and a cyborg – in love yet troubled, going through the same ups and downs we all do.  …And it needed to be good.  That was the most important criteria.  It needed to be good.

Cyborg loves Robot test render 14 ccThis is an in-progress test render from early on.  As you can see the original composition was wider.  The plan was to have the android’s right arm on her waist and she would be gently touching his metal fingers.

Cyborg loves Robot test render 15 ccWhat to wear and what hair?  I obsessed over endless choices.

Cyborg loves Robot test render 23 misumi skin ccI tried many skin textures for the girl.  I wanted to get the softness just right so it would contrast nicely with the hard metal of the android.

Cyborg loves Robot test render 26 lyflannery skin ccMaybe she should be an alien?  Blue is the accent color so it makes sense.  OK, maybe it’s too dark…

Cyborg loves Robot test render 39 ccAngry robot face changed to gentle face.  I needed to get some humanity in this android.

Cyborg loves Robot test render 46 fitness 50I eventually decided the girl needed bare shoulders to clearly see the cybernetic arm connection.  I wanted it to be clear that she was human and only her arm was mechanical.  This is also the reason I decided to ditch the idea of “space girl” type clothing which tends to be aggressive and hard.  She needed to be soft, the soft spot between the hard metal of her arm and the android.

Is Electronic Love to Blame 12 04 cam 05 ccI finally decided to go with this “cold shoulder” dress.  When I was working to make it blue, I changed the original cloth to a knit fabric because my wife CAT is a knitter.  That just made sense to me.

Is Electronic Love to Blame 14 00Eventually I realized that I had set the camera too far away, and moved in closer.  This always happens.  It’s always better after I move in.  It’s just part of my process I guess.

Adjusting for the new composition, I tried moving the robots right hand up to her shoulder.  It ended up too creepy though.  Trying to get the sharp metal fingers to show some sensitivity was proving difficult.  It also fouled up the clean skin / machine connection I wanted for her cybernetic arm.  I eventually moved the android’s right hand behind her back out of sight and concentrated on getting the left hand in the correct position.  It took me three tries to get the left arm to look relaxed and gentle.

Cyborg loves Robot BTS skin and machineI also spent a tremendous amount of time trying to get the android fingers positioned just right so that they didn’t look like they were gouging the girl’s arm, yet at the same time, catching the light in a nice way.  Skin against machine was becoming a major theme apparently.  Same with the cybernetic fingers and her lips.  I actually moved the camera and lengthened the girl’s neck at one point so you could see more of her mouth.

Is Electronic Love to Blame 23 00 cam 17 lower arms and neck movedThen, of course I second guessed myself and pulled the shot back to re-visit the original concept of the hand around the waist.  Worked on that for awhile but thankfully came to my senses.  Maybe I’ll revisit this wider shot if I do a different version with a vertical aspect ratio.

Cyborg loves Robot BTS camera setup 03I only needed three lights to illuminate the scene.  A key from the front doing most of the work.  A hair light from the top that was also doubling as a fill light.  And a spot on the gray background plane.  I created another tiny plane just out of frame above the android to cut down the reflection on his white bald head.

Cyborg loves Robot BTS renderingThe final Iray render took about two hours at 10800 x 10800 resolution.  I was surprised.  That’s very fast.  I’ve had renders at this resolution go ten hours or more.  I’m guessing the plain background and the overall brightness of the scene helped.

Cyborg loves Robot BTS robot cuColor correcting in Lightroom I tried to bring out the hardness of the machine and the softness of the skin.

Cyborg loves Robot BTS eye cc 04 finalI lightened up the girl’s eyes and obsessed over everything for quite some time.  Overall I brightened everything up and made it punch as much as possible.

Is Electronic Love to Blame 33 06 normal map 1.0While color correcting I noticed a bizarre reflection coming off one of the poorly formed low-rez “screws” on the cybernetic arm.  It had something to do with the normal map which wasn’t doing much on this surface.  The screws were created with the displacement map.  Not sure what was going on.

Cyborg loves Robot BTS screw reflection fixAnyway, I couldn’t figure out how to fix it in DAZ Studio without changing the character of the rest of the arm surface so I just used the spot remover in lightroom.

Is Electronic Love to Blame?So what do you think?  Did I over think it and create something stilted?  Or did I continually refine it and make it great?  I can’t tell anymore.

Next step: print it and see what it looks like on the wall…

Created in DAZ Studio 4.12
Rendered with Iray
Color Correction in Lightroom

The Space Between Us

Prints of this image are available on my Deviant Art page.The Space Between Us

I’ve started working on a few CGI images with multiple characters but this is the first one I’ve been able to finish.  Right now I have five or six projects that are stuck at various stages.  One thing I’ve realized is I’m having tremendous difficulty with backgrounds.  I’m consciously starting my scenes with character ideas first because I see that as the most important element in the image. I then end up trying eight or nine “sets” for the background and nothing seems to fit.  It’s easy to move entire sets in and out in virtual space and try different things but I guess my brain just doesn’t work that way since it’s not how you make movies in the real world.  All my creative experience starts with the location first, then the actors come in to block the scene, and finally the camera positions are locked down.  I think I’m going to have to change my workflow and do it the way I know.

the space between us BTS extI originally envisioned this scene as an exterior, but that didn’t work so I tried several interiors including this space bedroom complete with professional video tape rack.

the space between us BTS space bedroomI eventually settled on the interior of a shuttle type spaceship.

the space between us BTS vanguardYou may have noticed I originally had a different character for the boy.

the space between us BTS space bedroom2He was anime style but a bit too realistic for skinny toon/anime girl (Keiko 6.)  Modifying a straight up toon style boy character (Animated Shapes for G2M) with a different skin texture and bigger eyes created a figure more in line with the anime style of the girl.

I had that kinky hair problem that I’ve mentioned before.  You can see it here above the right eye.

kinky hair detail

I asked about it on a DAZ facebook group and there is a fix!  There’s a hidden control in the hair parameters called “smoothing iterations.”  Increase it a bit and the kinkiness goes away.  I found that you should only increase the smoothing just enough to solve the problem because higher numbers thin out the hair considerably making your character look like a post-apocalyptic radiation victim!  (…which, come to think of it, may be a hair style I need some day.)

the space between us BTS aux viewerWhile working on this piece I started using the new Aux viewport in DAZ Studio 4.7.  You can set it to continuously render so that, as you are working it will keep updating.  It sort of works.  My processors and fans were churning hard as it was trying to keep up with the changes.  It’s usable for lighting, only re-rendering the area of the picture effected when you move a light.  For moving models around the space it’s not as good.  The screen update gets slow and you end up waiting a lot.The Space Between Us

All in all I’m very happy with this piece.  It’s my first with two characters interacting in a two shot which is more like a movie and less like a character just standing there.

Prints of this image are available on my Deviant Art page:
http://ericsusch.deviantart.com/art/The-Space-Between-Us-513716053