Category Archives: makeSciFi

We Are the Dreamers of the Dream (sky grid update)

After my first experience making a puzzle I decided to update the artwork before printing another test puzzle.  I always thought the sky was a little plain in this piece especially since the sky reflected in the chrome sphere has a planet and clouds.  The plain blue at the top was also more difficult to piece together as a puzzle.  To give it some detail I decided to put a grid across the entire sky.  I think thematically this new grid shows that the image reflected in the sphere is actually a future dream.  The actual metaverse environment isn’t built yet.

I actually went all the way back into DAZ Studio to place the grid in 3D space and re-render the entire scene from the beginning.  I also took the chance to re-adjust the camera slightly to give more room around the edge of the frame for print bleed.  Final color correction is also slightly different.  If you’re re-doing it anyway, why not fix the things that bug you?

I also took the opportunity to fix another problem that I previously didn’t know how to fix and which has driven me insane since I first rendered the image.  In the original you’ll notice that the left armpit of her “space samurai” outfit is screwed up.

That’s because the clothing mesh is getting confused between the arm and the torso which are colliding.  I was able to grab the clothing mesh with a DAZ Studio plugin and pull it back toward the torso.  I actually had to stretch it quite a ways into the center of the character like a rubber band to get this small area to look better.

These changes were relatively small but I think they make a big difference.  Can’t wait to see this new version printed out.

Created in DAZ Studio 4.22
Rendered with Iray
Color Correction in Capture One

Jigsaw Puzzle Art

When I was a kid I had a few jigsaw puzzles that were in cans – Batman, Superman, and the Six Million Dollar Man.  One day my wife CAT and I cracked open one of the cans and started “puzzeling.”

The first two were easy.  They only had 80 pieces and were made for little kids.  The 6 Million Dollar Man puzzle was different.  It was 200 pieces.  That took a bit longer, especially all the rocks.

What was supposed to be a lark turned into an enjoyable, relaxing time together for a few days.  All we needed now was another puzzle, but what?

The New Puzzle

I decided to try printing my own artwork as a puzzle.  I didn’t tell CAT because I wanted it to be a surprise.

First I needed to find a printing service that could make the puzzle.  One thing that was important to me was to preserve the integrity of my art.  I didn’t want to crop the picture just to fit the shape of a puzzle. I also wanted high quality printing and a professional presentation that had a box with a picture.  After a week of research online (there’s a million places that do this kind of thing) I settled on createjigsawpuzzles.com.  I didn’t know anything about them but they had a large selection of sizes and options.

What’s in a picture?

Next… Which of my artwork to choose?  I knew something like this…

…would be an absolute nightmare as a puzzle!  I didn’t want to go thru the torture of piecing together solid color backgrounds.  I needed something with more overall detail.  I considered this:

…and even this:

…but finally settled on this:

…because the background had several different distinct areas.

Choices

I decided to make an 18″ x 24″ puzzle because that was a 3×4 aspect ratio, same as the image.

There were quite a few options on the order page, several types of cardboard, printing and surface finishes.  I selected something called Eska premium cardboard for the backing, which is made from recovered paper.

I wasn’t sure whether to get a gloss or matte finish on the pieces.  I went back and forth on this for awhile.  I finally went with gloss because the ground in the image is black and gloss would increase the contrast overall.

In my research I found that the most popular puzzle size was 1000 pieces.  As beginners, that’s kind of scary.  Neither of us had ever done a jigsaw puzzle that large before.  I thought we might be able to handle 500 pieces however.  That’s only two and a half times the Six Million Dollar Man puzzle.

I selected a custom box option which meant I had to download a template, design the box from scratch in Adobe Illustrator, and upload the result.  That took an extra day.  I made the box simple with just a large picture on the top and clean text on the side.

Finally I uploaded all my artwork and finished the order.  Then I waited.

The Waiting

It took a week for the puzzle to be made.  Then it had to ship from the factory in Dongguan, China (near Hong Kong) all the way to New York. I had already been working on it for several weeks and I was anxious to see it.  When I got the tracking number on a Friday the estimated delivery was Monday, only three days later.  …From the other side of the planet??  I didn’t believe that estimate, but I hoped it was true!

I started obsessively refreshing the UPS tracking page every few hours all weekend.  The package left China at 2 AM Saturday morning.  It stopped in Anchorage, Alaska (USA!) Saturday afternoon.  It arrived in Louisville, Kentucky (East coast!) the next day in time for Sunday brunch.  Then it landed in Newark, NJ (Local airport!) on Sunday evening!  The rest of the journey was by truck though.  Would it really arrive at my house in less than 24 hours?

The next morning at 4 AM the package was sorting at the local UPS facility.  …And “out for delivery” on the local truck at 10:20 AM!!  I couldn’t believe it!

In anticipation of its arrival “by 7 PM,” I changed the picture that was hanging on the wall in the kitchen where we do our puzzles.  I put up a large metal print of the same artwork that’s on the puzzle.  I still didn’t tell CAT what was going on though.  I just said I wanted to look at something different.

It’s Here!

The package arrived around six PM and I sat CAT down at the kitchen table and handed her the puzzle box.  She was surprised.  It looked great, very professional.

The box came shrink wrapped in plastic, just like a store bought puzzle.  It was a nice matte white and the picture on top was sharp.  The pieces inside were in a plastic bag.

The Eska cardboard backing on the pieces was thick and stiff. These were nice puzzle pieces.  The printing was excellent, sharp and bright, in some ways better than my large metal print hanging on the wall.

Assembly

As we started putting the puzzle together I separated the blue sky pieces and put them in bowls.  We figured that the sky would be the hardest and best left until last.

Over the next few days we spent a few minutes in the evening piecing different sections together.

The figure came together first.   The pieces interlocked well and while slightly loose, didn’t pull apart when you slid the sections around.

Things progressed smoothly from section to section.  It was coming together nicely.  The image looked really good.

I always put my name on my artwork that I post online, but never on things I print. For this puzzle I decided to add my name to the plain black pieces at the bottom to add extra detail.  It helped.

CAT took a picture of our progress and posted it to facebook.

As I expected, the separate sections of the background made everything easier.  The mountains and horizon fell into place relatively early.  The grid pattern on the ground acted as a gradient to help place most of those pieces.  At the very bottom the thick white lines were easy to assemble with only a few solid black pieces between them.

The Blue Pieces

All that was left at this point was the dreaded plain blue sky.  There’s a slight gradient which helped a little bit but it was still the most difficult part and took the longest.  Basically you had to find the pieces by shape.

This area was a good test of the puzzle cut though.  The company website said all the pieces were unique and we found this to be true.  If it was the wrong piece it didn’t fit… and we tried a lot of wrong pieces 🙂

Done!

I wish I could get a better picture of the final puzzle.  Because it’s glossy it’s hard to light without reflections, and side lighting just brings out the puzzle lines.  It really looks great in person.  The printing is very sharp.  The grid lines on the ground are visibly distinct all the way to the horizon.  The colors are great.

I’m very pleased.  I think I might print another one and try the matte finish just to see how different it is.  I also want to pick out a few more of my art pieces and make more puzzles.  Maybe we’ll even try one with 1000 pieces!

Is Electronic Love to Blame? (16×9)

I’ve worked on this CGI scene longer than any other.  I’ve spent years obsessing about every detail.  I’m sure I’ve sucked the life out of it many times.  I hope there’s still something good left in it but I can’t tell anymore.  The only thing I can do is to let it go and put it out there hoping there’s still some life in it.

This is the second iteration of this piece.  The first one, which you can read all about here, was square, with a grey background, and a different dress.  I also added a pierced heart necklace to this new wide version.  Those are the big differences.  There are tons of other small changes.

So, why a new version?  Because I wasn’t satisfied with the old one.  (Actually I grew to hate it.)  For some reason this piece is an ongoing obsession.  Even now I’m looking at the image above and wondering if the background is too dark, contemplating changing it again before posting this blog post.  But I’m not going to.  I have to let this one go and be done with it.  Next step is to print it on metal like I’ve done with several of my other pieces and see how it comes out.  If it needs tweaking after that, then I will, but for now, it’s done!

Color correction this time is in Capture One.  I abandoned Lightroom a few years ago.  I’m not interested in paying a subscription for my professional software.  Buying a perpetual license for Capture One is actually more money but it’s worth it.  If at some point I decide I can’t afford to upgrade anymore I won’t lose access to all my images and all the work I’ve done on them.  Don’t ever let a company and their tools act as gatekeeper to your work.  — I’m also liking the color correction controls a bit better in Capture One, thought Lightroom wasn’t bad.

Created in DAZ Studio 4.22
Rendered with Iray
Color Correction in Capture One

Light Speed

I’m very pleased with this one.  It reminds me of a whip pan.  I’m wondering if there is a way to synthesize a whip pan video with AI?  I’ll have to look into this.  I bet you could make all kinds of cool stuff.  We need to get back to whip pans as transitions…

Originally this image was vertical.

It looked great that way but just as I was finishing color correcting I tried it horizontal and liked it even better!  Now I guess I have two versions.  I’m probably going to print this one and, well, I guess I could hang it on the wall any which way I wanted!

#Art I made with #Midjourney #AI

Synthetic Happiness

I was looking back at all the images I rendered with Midjourney over the last year and a half.  There’s some good stuff in there that got overlooked.  I actually rendered this last year (2022) with Midjourney version 3.

I could have opted to crop this square and make it all about the figure, but that is so boring and just like every other image on the internet.  This composition reminds me of art you would see on a gatefold vinyl LP double album from back in the day, with the front cover on the right and the back on the left, and the art continuously wrapping around.

#Art I made with #Midjourney V3 #AI